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Paisley Park Records

When Warner Bros. Records and Prince stepped up their arrangement in 1985, it would grant him his own label, an imprint within the Warner Brothers machine. The terms of this arrangement permitted Prince to set up a standalone label for his own purposes and with full autonomy to sign other artists. This new label, Paisley Park Records, was founded on 1 February 1985 as a joint venture, with Warner Bros. looking after the promotion and distribution aspects (as WEA Records outside the US) and Paisley Park Records handling the recording output. This required Prince to handover the master tapes to Warner for slotting into their vast distribution and marketing network, which in later years proved a true bone of contention for Prince. Being a subsidiary, Paisley Park Records would remain under the auspices of Warner, yet Prince could credit his output to the new label which he was allowed to run as it were an independent outfit.

Paisley Park Records (logo)

The first release under Paisley Park Records was Prince and the Revolution’s Around The World In A Day, on 22 April 1985, which in typical Prince fashion contained a specially written song Paisley Park bearing the name of the new label. The track’s all-encompassing name was that of both his record label and new studio complex, which at this time Prince’s architect was drawing up its blueprints. The label took up an office at the then unfinished Paisley Park Studios on 1 May 1987, and using the postal address 1999 Avenue of the Stars. Eric Leed’s brother, Alan Leeds, was appointed its President of Operations (holding the post until 1991).

Paisley Park Records was run as a label in its own right, in that it did not exist to serve exclusively to Prince and his side-projects but other artists also, however it’s second and third releases that followed in quick succession were the debut album for The Family, released on 12 August 1985, with Sheila E’s Romance 1600 following on the 26th. In its eight years in existence, Paisley Park Records signed a total of twenty artists, the main signings being: The Family (signed 1985), Sheila E (1985), Madhouse (1987), Jill Jones (1987), Mavis Staples (1988), The Time (1990), Eric Leeds (1991), Ingrid Chavez (1991) and Carmen Electra (1993).

The remaining signings, whose albums received songs passed from Prince or no involvement at all, were: Mazarati (signed 1986, receiving 1 Prince penned track), Taja Sevelle (1987, 2 tracks), Dale Bozzio (1988, 1 track), Good Question (1988, no Prince involvement), The Three O’Clock (1988, 1 track), George Clinton (two albums 1989 and 1993, the latter receiving 2 tracks), Tony LeMans (1989, no Prince involvement), Kahoru Kohiruimaki (1989, who aided in the promotion of the Japanese leg of the Lovesexy Tour, got 2 tracks), and T.C. Ellis (1991, no Prince involvement). Projects for Cat Glover (signed 1989) and Rosie Gaines (1992, getting 3 tracks) were planned but were never released.

But of course, no act saw anywhere near the success achieved by the label’s main artist, Prince himself. Although Prince would have the final say which artists were taken on, some had been signed to Paisley Park Records by his management firm Cavallo, Ruffalo & Fargnoli without Prince’s knowledge or consent, this became a major factor to Prince firing the firm in January 1989.

Throughout the years, Warner had been subsidising Paisley Park Studios, paid in cash advances to cover Prince’s mounting production costs. In their attempt to recoup this, when renewing their contract with Prince in 1992, its terms granted Warner equal say in the running of Paisley Park as well as set funding levels for Prince’s promotional activities – which in effect imposed a limit to the number of albums he was able to release per year and the number of shows he was allowed to perform. This set the rot which put Prince and Warner’s relationship into a spiral and an ultimately damaging and deeply embittered public dispute in which Prince demanded back the ownership of his music. Worried about the level of control the contract transferred to Warner, Prince founded a new label NPG Records in 1993, an entirely independent outfit, which by that summer issued its first release. The resulting breakdown of trust in the relationship was irreparable, and on 1 February 1994 Warner Brothers announced that it had cancelled its distribution deal, in effect shutting down Paisley Park Records.

Albums released

Hey Man... Smell My Finger (1993)

Hey Man... Smell My Finger

October 1993

The Hits / The B-Sides (1993)

The Hits / The B-Sides

September 1993

The Hits 1 (1993)

The Hits 1

September 1993

The Hits 2 (1993)

The Hits 2

September 1993

The Voice (1993)

The Voice

August 1993

Things Left Unsaid (1993)

Things Left Unsaid

February 1993

Carmen (1993)


February 1993

Love Symbol Album (1992)

Love Symbol Album

October 1992

Diamonds And Pearls (1991)

Diamonds And Pearls

October 1991

May 19, 1992 (1991)

May 19, 1992

September 1991

True Confessions (1991)

True Confessions

May 1991

Times Squared (1991)

Times Squared

February 1991

Graffiti Bridge (1990)

Graffiti Bridge

August 1990

Time The Motion (Live) (1990)

Time The Motion (Live)

July 1990

Pandemonium (1990)


July 1990

Time The Motion (1989)

Time The Motion

November 1989

Tony LeMans (1989)

Tony LeMans

September 1989

The Cinderella Theory (1989)

The Cinderella Theory

August 1989

Good Question (1988)

Good Question

October 1988

Time Waits For No One (1988)
Vermillion (1988)


May 1988

Lovesexy (1988)


May 1988

Riot In English (1988)

Riot In English

March 1988

Madhouse 16 (1987)

Madhouse 16

November 1987

Taja Sevelle (1987)

Taja Sevelle

September 1987

Sign O’ The Times (1987)

Sign O’ The Times

March 1987

Jill Jones (1987)

Jill Jones

March 1987

Sheila E (1987)

Sheila E

February 1987

Madhouse 8 (1987)

Madhouse 8

January 1987

Parade (1986)


March 1986

Mazarati (1986)


March 1986

Romance 1600 (1985)

Romance 1600

August 1985

The Family (1985)

The Family

August 1985

Around The World In A Day (1985)

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