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Warner Bros. Records

“Prince 1958-1993”

Come is the album in which Prince ‘killed’ off his former persona (the black and white picture of Prince standing outside a church sets its funereal tone) to announce as publically his embittered dispute with Warner Brothers over the ownership of his music, as well as symbolise the closure of his label, Paisley Park Records, by Warner.

From now on, Warner only get old songs out of the vault.

Recorded between 1994 and 1994 and out of the wreckage of Prince’s dispute with Warner Brothers, Come became his final album released under the label both credited as ‘Prince’ and to contain newly recorded material. Henceforth, until 16 May 2000, Prince would be known as The Artist Formally Known As Prince (or Prince love symbol). His birth name he saw was a brand name owned by Warner Brothers, was declared to all intents and purposes dead.

Come underwent many configuration changes, and Prince hoped to coincide its release with The Gold Experience, an album he recorded simultaneously with Come – however that wish was denied and the latter album was postponed, an act in his eyes that added insult to injury and a further nail into the coffin of Prince’s relationship with Warner Brothers. Come sold poorly in the US but peaked number 15 in the Billboard charts and is certified Gold by RIAA, however topped the UK album charts, at selling 100,000 units.

Cover story

The front and back of the album are photos shot by Terry Gydesen, of Prince standing at the gates of Gaudi’s iconic La Sagrada Familia cathedral in Barcelona at 4:30am. They are part of a wider series of photos that she shot of Prince in 1993, and are published in The Sacrifice Of Victor.

Prince | Come
Photography by Terry Gydesen


All Instruments
Michael Bland Space, Papa, Dark
Tommy Barbarella Space, Papa, Dark
Ricky Peterson Letitgo
Bass Guitar
Sonny Thompson Space, Papa, Dark
Michael B. Nelson
NPG Hornz


Warner Bros. Records
Warner Bros. Records
Terry Gydesen and J.C. Munson
26 years, 5 months ago on 15 August 1994
Running Time
US Chart Peak
UK Chart Peak
Prince Album
Orig. Formats


  1. Come (11:13)
  2. Space (4:28) 1
  3. Pheromone (5:08)
  4. Loose! (3:27)
  5. Papa (2:48)
  6. Race (4:28)
  7. Dark (6:10)
  8. Solo (3:48) 2
  9. Letitgo (5:33) 1
  10. Orgasm [feat. Vanity] (1:39)

1 Released as singles.
2 Co-written with David Henry Hwang.

Singles from Come

Letitgo single from Come, Warner Bros. Records (1994)


Warner Bros. Records

9 August 1994
US Chart Peak
UK Chart Peak
  1. Letitgo [Edit] (4:15)
  2. Solo (3:48)
  3. Alexa De Paris [Extended] [feat. the Revolution] (4:54)
  4. Pope (3:28)
Letitgo [Maxi Single] single from Come, Warner Bros. Records (1994)

Letitgo [Maxi Single]

Warner Bros. Records

27 September 1994
US Chart Peak
UK Chart Peak
  1. Letitgo [Caviar Radio Edit] (4:59)
  2. Letitgo [Cavi' Street Edit] (5:02)
  3. Letitgo [Instrumental] (5:02)
  4. Letitgo [On The Cool-Out Tip Radio Radio Edit] (4:34)
  5. Letitgo [Sherm Stick Edit] (5:42)
  6. (-) [Sherm Stick Edit] (5:42)
  7. Letitgo [Original Radio Edit] (4:15)
  8. Letitgo (5:33)
Space single from Come, Warner Bros. Records (1994)


Warner Bros. Records

1 November 1994
US Chart Peak
UK Chart Peak
No Release
  1. Space [Universal Love Remix] (3:58)
  2. Space [Funky Stuff Remix] (5:41)
  3. Space [Funky Stuff Dub] (4:48)
  4. Space [Acoustic Remix] (4:41)
  5. Space (4:28)

Supporting tour

Act II Tour

Act II Tour


  • 27 shows from 26 July to 7 September, 1993

Come – review

Always judge the quality of an album by the amount of times you play it, and this I play a lot. Come is the ‘Prince is dead. Long live Prince love symbol‘ album and that of the one-word titles, well, he did cheat a bit with Letitgo but appreciate themeing. Prince let’s slip a personal secret: that sex with him lasts ten minutes, and with the title track you live every second of it, which also makes for magnificent listening. He thumps through Pheromone, soars with Space and with Loose! he showcases his prowess with dance music. Come has great range, from the fantastic base line of Race and the grinding Come the album peaks at the wonderfully nasty Pheromone right down even to the much overlooked yet masterful Solo. Prince laments with Papa and Dark and it’s the latter that tops the album with true class, worthy of any Prince classic. The radio friendly tunes are Space and Letitgo and no surprising they were also the only singles from Come; the remixes on the EPs being some of his very best. The writing was on the wall with his relationship with Warner Brothers when Prince even killed off his birth name, which unfortunately for Prince love symbol the inharmonious wake of Prince’s ‘death’ was to linger for another three years.


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